The Sound of Silence

4 Generations

Yes, I’ve been on a bit of radio silence. I’m still somewhat dour, despite a desperately needed 4-day vacation that let me forget everything stressful (save the thigh cramp that left me crippled and unable to bend my knee for two days. Yes, I still hobbled 10 miles a day on it.)

Yule is the season of darkness. The final harvest (of the Northern Hemisphere) is over and Earth is at rest, readying for the rebirth of Spring. The Romans didn’t even give winter months calendar space: after the Saturnalia was a 63-day month of “winter,” our January and February, which would cover the darkest days until after Imbolc and Spring arrived again. This year, our darkness came early.

My mother’s mother died in November of 1992, a cold, gray month. My father’s mother died in January of 1963, a cold and brutal time to be standing in a windy cemetery. My father’s father died in December of 1971, making holidays tough. My father-in-law died just before Thanksgiving last year, making it slightly easier for the family to spend an entire week together.

This year, we lost my father, Bob Staneslow, on November 5, 13 days shy of his 85th birthday, at a time when, with global warming, the weather was exceptionally pleasant.

No one knows why he died, beyond the direct reasons. He had no detectable infections. He had no major system imbalances. He did have prostatitis, not uncommon in a man just shy of 85 (he was born a month past his due date, at over 11 lbs, so if I count that, he was already 85), which led to tubes, which, in his semi-demented state, he refused to leave in, so his hands had to be tied down. His ability to swallow suddenly diminished, leaving him seriously choking on not only food but water. While waiting for tests to find out why – and being limited to only IVs, he rapidly lost weight he couldn’t afford to lose. Some days he was himself, other days, he was in another dimension. Without food he would die, but more food would mean a feeding tube, which meant his hands would have to be forever tied to the bed.

Dad did not want tubes, and certainly would not want to be tied to a bed for the remainder of his life, be it days or years. To put him in Hospice meant more or less giving the hospital permission to kill my father, when, on the good days, he was his normal self. He neither gave permission for it nor refused it, because he had no idea what was happening. He just went from one room to another, and they removed his tubes and freed his hands and let him drink his Coca Cola again, in small sips, and he was happy. And we put on happy lying faces and sat there telling him he would go home again as soon as he got stronger.

As he starved until the point his kidneys shut down, and then the rest of his body, aided by medications to make him forget what was happening. It took three days.

I understand the point of Hospice. There are people, who, in the throes of excruciating end-stage cancers, in a country that won’t allow you to do it yourself, allow you the medications that will ease your pain and end your life without horrific misery.

And that’s a mercy. But overall, I do not like Hospice.

Life does not end willingly. Death is a struggle. People can seem on their last breath, then sit up and speak, then collapse again. They can moan, yell, scream, claw the air, speak to people no one can see, fight someone trying to calm them. Anyone who has heard an agonal scream – a scream made by those in the process of dying – is not likely to forget it.

I never will, and that was only a cat.

And there are the cases – that I personally know – where the diagnosis was vague, the person was very much still aware and talking despite some health issues, and the nurse came in with medication as the visitor was leaving and the person was dead before the visitor left the parking lot.

For my grandfather, with end-stage cancer that had spread to his brain, it wouldn’t have made much difference, and he died quietly at home.

NOT Dad’s Gibson guitar

The hospital did every last thing they could for my father – I have no complaints there. They ran tests that were pretty well pointless, desperate for something they could fix. They gave it their all, above and beyond. But everything seemed fine. His final diagnosis was vascular dementia, which isn’t enough to calm the grief. Wacky doesn’t mean you die from it.

So this is a dark month, the second dark December in a row, full of dark humor, bleakness, and those million little moments when you say, Oh that would be perfect! I’ll take/call/tell/give Dad ….

No, I won’t. I just finished a manuscript I know he would have loved, but no matter how many times I think it, he won’t give me feedback.

My mother opted to not do any funeral, but maybe have a service in the spring (which, knowing my mother, won’t ever happen, nor would she attend it), so there has been no closure, no way of compartmentalizing anything, just an emptiness, expecting someone to be there and then almost confused when they’re not. Over and over and over.

Dad died, of course, hours after the funeral of his best friend, whom he hadn’t seen in several years, partly because they were now 1500 miles apart. One of his chief complaints was that he was lonely because all of his friends were dead, save his brother 1500 miles away in Minnesota, and a cousin 2500 miles away on the west coast. Despite being a bit of an introvert, Dad loved talking to people about music, cars, or history. He loved babbling in his languages. Although he came out of several health crises speaking more Italian than English – we had to warn the nursing staff that it wasn’t dementia, he spoke other languages – when it came down to the wire, it was French he was still speaking at the end.

I do not want my kids to go through the agony I did. I want to die in my sleep at age 100, preferably of a stroke, nice and quick. I think 100 is a nice round number. At least the 00’s are.

Hug your loved ones. Call them and tell them so. Even when you know the end is coming, it’s still a blow.

It’s Christmas, full of the music my father loved. The library is having a concert of 15th-century music on appropriate instruments, something my father would have loved dearly. The radio played a carol on guitar today, very much in a style my father would have played, as he played them every Christmas Eve.

And I cried.

It’s a dark month, the darkest of the year, and harder for some people than others. Just remember, as the Romans knew, the dark days may seem long, but the rebirth of the world in Spring, spiritually and physically, is just around the corner.

Cracking the Books

What’s everyone been reading?

I read this to the Kindergarten class

I’ve always been a reader. I think I started somewhere around three, because I was reading Dr. Seuss – at least Hop on Pop and such – by four. I do remember that much. By Kindergarten I was one of just two or three of us (Kindergarten still being Kindergarten back then, and not trying to shove a second-grade curriculum down a five year old’s throat) who could read, and we got to read books to the class. I suppose I should feel honored, because the other two kids who could were super-smart and incredible math whizzes later on. One of them was Jeff Quinn. (Ever watch Weatherman Lonnie Quinn on CBS news in NY?  Yeah. Jeff’s his younger brother. Lonnie was about 2 years ahead of me in school).

And this one

I read like a demon through school. In highschool, I read a book a day – 250 pages or more, and that was in addition to school. I would read between classes, one finger out to feel the wall so I didn’t crash into anything. I probably still have my 10th or 11th grade report card that says I’d do better in school if I didn’t read so much (Yes, really. Because I wasn’t reading school stuff). I did the same in college, plowing through a good book in 1-2 days on top of everything else I was doing.

This was my fun reading in 8th grade

Now, I read in spurts. Some of it depends on my time – if I’m really involved in a project, I don’t waste time on reading. Ideally, I love to read while waiting for the kids’ buses, and if they run late, it could be a half hour or so each way, so that’s an hour of reading a day, and in general I read a page a minute, if it’s not technical stuff. I try to read during kids’ sports, but it’s not always possible anymore, and if I try to read on a treadmill I tend to fall off. But I steadily read at least SOMEthing. And yeah, I do reread my own stuff almost every year, because, after all, I wrote stories I want to read!

I can’t say I read any one genre. I most definitely read more non-fiction than fiction, and I’ve learned a lot of new good authors through researching stuff for writing my own.  I like the classics – Dickens, Poe, Steinbeck. I love the grit of Dashiell Hammett, the twists and turns of Le Carré, every word ever uttered by Murderbot, some of the better steampunk, and my beloved Chris Wooding’s Ketty Jay. I would love to read more science fiction, but there’s so much else that’s fascinating, too, and the books fly through my hands at 300 an hour some days.

Books my friends won’t read

I love psychology. Sociology. I’ve read several true crime that have been utterly riveting. Science. Virology. Epidemiology. Genetics (my beloved Smith’s Recognizable Patterns of Human Malformation). Paleontology. Archaeology. Ancient History. Modern History. The history of food (milk, butter, beer, bread, grocery stores). The dynamics of High Fashion (I am perplexed by this, as I would be happy wearing the same jeans or sweats, with flannel shirt or tee shirt, until they fell beyond repair. Advertisers hate me, because I just don’t care). Biographies. Memoirs. Histories of New York City. But rarely anything on a best-seller fiction list. I read the blurbs and want to cry from boredom and nausea. Not for me.

So what is everyone else reading? What do you recommend? Better yet, what books did you hate? I’ve started several this year that I gave up on, because even 100 pages in, they just weren’t catching me. One I hated was Six Days of the Condor, which was so misogynistic and offensive I shut the book and brought it back. Ugh. The Boy Detective, which, after 50 pages, was so somnolent I gave up in bewilderment. How the hell did that crap get published?

This has been a good year for reading, as I try to avoid working on a manuscript and have spent more time waiting for buses and vans and kids. I usually do a full review in December, but here’s the last five books I read:

The Teachers, by Alexandra Robbins, an excellent, compelling work following three teachers and diving in to the vast difficulties they face just trying to do their jobs.

The Devil’s Gentleman: Privilege, Poison, and the Trial That Ushered in the Twentieth Century by Harold Schechter. A fascinating true story of murder and mayhem that was so sensational it ushered in new trial laws that are still followed today.

Legends and Lattes, by Travis Baldree. A cute little Dungeons and Dragons style story about a coffee shop in a D&D village. This introduced me to the term Cozy Fantasy. While it was cute and I liked the characters, I thought it rather dull and predictable. If you just want a nice story, this is great for you. Maybe because I don’t drink coffee and never, virtually never, set foot in coffee shops and could care less.

The Wager, by David Grann. This may be the best book I’ve read so far this year. The Wager is a British ship sent to sink Spanish Galleons off Brazil and steal their gold for England. Instead, a hundred men become wrecked on an inhospitable island off the tip of South America, and begin to starve.  A true story that is utterly amazing and very, very hard to put down. I think I read this in 2-3 days, tops.

Mindhunter: Inside the FBI’s Serial Crimes Unit, by John E. Douglas  While this was good, and thankfully not overly gruesome, it is woefully out of date, with Douglas doing all of his investigating 30-40 years ago. Many of his unsolvable crimes have now, with the advent of DNA testing, been solved. But it was still a decent read.


See? You’re not pinning me down with this batch. If I go back one more, it’s Dublin Tenement Life, which was interesting for about 50 pages and then everyone basically just said the same things over and over and over. I think I found Jacob Riis (yeah, 1880’s Jacob Riis) more interesting.

If you’ve read Heart of the Matter (and you should!) or any of my other works, PLEASE leave me a review on Amazon, even if it’s just three words, or just some stars. Don’t care if you liked it or not – not everyone will – but Amazon authors depend on them for their rankings.)

What was your favorite book so far this year?

Still my favorite book of the last 10 years, I think. I just reread it again last week.

Attend the Tale of Sweeney Todd

I grew up fairly poor. My father taught in a public school, sometimes 4th grade and sometimes 6th. Teachers were paid crap back then. The average teacher’s salary was about $8,000, less than the average state income (@$9300). My dad worked three jobs – two of which he could do while working job #2. My mom stayed home. While other kids went to camp and had summer vacations, we played in the yard. A treat (the 70’s had some very hot summers, with many days in the 90’s and into the 100’s) was time in the sprinkler, since we didn’t have water to waste, either, having a well that was more than 300 feet deep and sometimes ran dry. For several years we were allowed to swim in my grandmother’s neighbor’s pool, the highlight of our summers.

My mom never went anywhere. Anywhere. Oh, she went to my grandmother’s almost daily, and there wasn’t a store for four towns that didn’t know her, but she didn’t drive on highways, ever. Any significant trip had to wait for my father to drive, or we took the longest, most round-about way imaginable – 45 minutes for a trip that was ten minutes by highway. My mother would take us to the local carnival if my father wasn’t available, and perhaps the church bazaar, but that was it. No parks. No sports. No public pools or beaches. No museums. No plays, or concerts, and only an occasional movie at the local theater if my grandmother went, too (I can remember Willy Wonka, The Jungle Book, possibly Aristocats). She’d go to the drive-in, but that’s with my father driving. Never on her own.

My mom grew up poor. My grandfather ran his own business, and that didn’t always pan out. My grandmother worked whenever posssible. My dad grew up in the same town, but the son of a doctor: a world of travel, boarding schools, universities, people of interest, music, theater, radio plays, and Europe. Dad spoke at least 4 languages; Mom could curse in Ukrainian and Polish.

No, it hasn’t changed in 60 years. On the outside, at least.

Dad, thus, took us everywhere, as money allowed. Once, maybe even twice a summer we might play mini-golf at the place up the street. Once a year we might go bowling. A couple of times he took us to the Peabody Museum at Yale (because in my mother’s mind, 20 minutes to Hartford or New Haven was about as far as Florida, and there were highways involved). We might go to the Children’s Museum in West Hartford, a place I took my kids once or twice a year. Concerts? Sure. Sometimes Dad’s friends were the ones giving them.

And Dad introduced us to theater.

Seriously. The Doors played here. And Led Zeppelin.

Dad knew Shakespeare (not personally, but a wide variety of his works). He’d been to the Globe in London. He’d seen plays in Italy, France, and Philadelphia. We had a little theater in the next town over, a lovely little outdoor summer theater under a tent, with a round stage that revolved. And I was perhaps four when Dad took me there to see a play whose title I can’t remember, but involved green men from Mars. Man had just walked on the Moon; space was all the rage. A few years later, it was to see a live version of Cinderella. Me, being distractable, looked behind to see where Cinderella had run off to, saw her changing costumes behind a curtain at the back of the theater. Dad loved musical theater. He saw Fiddler on the Roof at this theater, one of his favorite plays (no, Mom didn’t go). He loved My Fair Lady, and Carousel, and West Side Story, and we listened to the soundtracks on LPs back then, and with his endless descriptions of the plays, we could see it in our heads. I don’t remember the year, but I got my first taste of West Side Story when it was shown in the library basement on 35mm film. It was brilliant.

In 1977 the community theater was doing Carousel; despite Mom’s endless bitching about the amount of time rehearsals took, Dad landed the role of Bascombe, and I was in the chorus. I would do Carousel again in High School, and Damned Yankees.

Broadway, of course, was for fancy people. We never dreamed of Broadway. It was New York, for goodness’s sakes, and full of highways, very expensive and it was a 50/50 shot of being murdered. But just after Christmas in 1977, me being all of 12, my Godfather (in all senses of the term) was entertaining friends from out of state, and had tickets for Broadway (insert fireworks here). The youngest child had gotten sick the night before; if my mom would watch the kid, they’d take me with them instead.

Whoa.

Broadway.

Yes, it was this dull

*I* got to go to Broadway. In New York City. And eat in a fancy restaurant for which I had no experience with proper table manners for that whatsoever. The show was Side by Side by Sondheim. Looking back now, it might have been great, but at 12? It was a borefest. It wasn’t a play, it was famous people singing songs by Sondheim, when, at 12, I had no idea who he was. I had hoped for a play; I got a concert. I was less than impressed. But then we went to dinner, in a restaurant that had nothing I normally ordered, and when I finally ordered baked chicken, they presented me a plate with an entire half-chicken on it and no fries. We traveled on I-95, still a very deadly highway, and I did not see one bit of violence in New York (which, honestly, in 1977, was quite the cesspit).

Fast forward two years. I’m in prep school, thanks to The Godfather. The glee club and drama club are going to see a play on Broadway.

A real play this time, about a murderer in London. Never heard of it. But I’ll go!

We had front row balcony seats – wonderful, but I was/am so freaked out by heights I was one step from panic. It’s an open stage, with a huge curtain of a beehive in the center, signifying the layers of society. The music’s playing, the lights go dark, and out of nowhere this shrieking whistle blasts as the curtain falls, and to me it felt like the balcony collapsed and I was falling, and the sound jolted me almost as much as the height. (Listen here.) The music rises, the play starts, and I am transported away, no longer in touch with reality. I am absorbed completely, height forgotten. Holy shit. And that’s the lady from Bedknobs and Broomsticks!

The play was Sweeney Todd. With Angela Lansbury, Len Cariou, Victor Garber, and more. First-run original cast.

And I was done. Toast. Broadway was in me and could not be erased. I would have sat there for a month, watching. I got the soundtrack and memorized it. I watched everything Len Cariou did (like The Four Seasons with Alan Alda, and currently Blue Bloods). And that guy on The Orville – his face was so damned familiar! Whoops, Victor Garber, good old Anthony trading one ship for another 40 years later. I ate that play alive. I wormed my way out of a tight corner on an English class, when, having run out of time to read Coriolanus on top of 5 other Shakespearean plays in just 4 weeks, was able to BS my way around when I compared it to Hamlet with the Sweeney Todd ending quote, “To seek revenge may lead to Hell, but everyone does it and seldom as well.”  The professor had seen the play. I passed with flying colors.

Heart of the Matter, which was published two weeks ago? Read Uncle Tomas. Since day one, since his first appearance in Best Intentions, Uncle Tomas has been played by Len Cariou. That’s his voice speaking.

Sure, they released the play on video, but with George Hearn in the lead. George Hearn is not Len Cariou. He has a deeper voice that lacks the range, and his Sweeney is more demonic and less sympathetic. I can live with it, because Toby’s the same, and Lovett’s the same, but it’s not quite as good.


Then you’ve got the abomination of the Tim Burton film. Yeah, it’s okay, if you haven’t seen the play. Sacha Baron Cohen as Pirelli is brilliant. There’s probably no more perfect actor for the role. Depp can sing, so that helps, but Helena Bonham Carter as Lovett? Are you kidding me? To put someone who can’t carry a tune in a role whose bar was set by no one less than Lansbury? That’s like casting Tiny Tim as the lead in Bohemian Rhapsody. Just because you sleep with the director doesn’t mean you should have the role. I’ve watched it, but not joyously.

Fastforward 44 years to the next millenium, and what’s coming back to Broadway? Sweeney Todd. With Josh Groban in the lead.

Grumble grumble grumble. Nothing can top the original. Groban is a top name, but I’ve never heard his music. But friends are fans of Groban’s, and they’re going, do we want to meet up there? It’s not the original. It’s going to suck. But I give in. It’s a play. That I love. In NYC. I’ll go.

Let me tell you, tickets are no longer $25. But yesterday I’m riding the train to NYC, to once again see Mr. Todd swing his razor high and get revenge on those who wronged him, as well as the economics of old England. It’s a small theater, but we have decent seats at the rear of orchestra. And it’s hard. So hard. So very, very, hard, not to recite the entire play when you know every line cold. I did my best. And the lights went out and that damned factory whistle blew… (compare opening here.)

And

It was fantastic. Holy Shit. Groban has the same range as Cariou, brought the same sensitivity to the role without making him seem insane, despite looking like Wil Wheaton. He’s a little scrawny, but really, for a guy who escaped a prison colony on a raft, shouldn’t he be? The sets were inspired but familiar and creative. The choreography was a bit strange, but it worked for a small stage. This ain’t exactly a dancing extravaganza. Toby was wonderful. Annaleigh Ashford plays Lovett for comedy against Todd’s tragedy. It works. She is brilliantly comedic, has excellent timing, but even miked, she doesn’t have the vocal strength the role requires. She’s wonderful, but she’s … not Lansbury. Those are impossible shoes to fill, but she puts on a worthy effort.

That said, the current Broadway incarnation is an incredibly faithful performance, encompassing all the delight of the original. If you’ve never experienced it, now is the perfect chance. It is worth every penny. Make a day to make your day. You will not regret it.

A die-hard fan has spoken.